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Author Topic: Tritone Applications  (Read 1390 times)

Offline minofmusic

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Tritone Applications
« on: October 20, 2010, 11:27:29 AM »
Hey Everyone just wanted to get some chord ideas to play over Tritones

Below are some common Tritones that i know of. Please post what chords you would play in your right hand using the below tritone. just trying improve and help others who are learning :)


Tritones for every note in the scale
   
   
Bass/     Left hand       Right Hand
   
C   E Bb------------
C#   F B-------------
D   F# C-----------
Eb   G C#-----------
E    Ab D-----------
F   A Eb-----------
F#   Bb E-----------
G   B F------------
Ab   C F#-----------
A    C# G-----------
Bb   D Ab-----------
B    Eb A-----------
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Offline dereknae

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Re: Tritone Applications
« Reply #1 on: October 20, 2010, 03:58:27 PM »
I think it's a matter of where you're going next..Let's take c   C in the bass-E-Bb in the left ,If I'm staying on the 1(C) I'll put a cm in the right or C Diminished...If I'm going to the 4 I might play FAD in the right..I don't know,Like I said,"It depends where you want to go next"

Offline jonesl78

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Re: Tritone Applications
« Reply #2 on: October 21, 2010, 08:19:23 AM »
Your ears and your listening audience are factors that determine if  tritone sounds good or not. I tend to look at tritones as dominate chords. Dominate chords are usually used as a means to get to some other chord. (i.e. G7 -->CMaj7) I would suggest you look at jazz standards. Every jazz standard I have played showed various uses of tritones/ dominate chords. For instance,  "misty" which is in Eb, uses an Eb7 (Eb7 uses the tritone G and Db) to get to the Abmaj7. It also uses the Db7 ( Db uses the tritone F and B) to get to the Ebmaj7.  This is only one use of tritones.

Another way to use tritones is to implement substitutions. You can change any major chord into a a dominate chord. Just make sure it sounds good to your ears and it fits your particular chord progression.

In regards to what i would play based on your list:

The first chord you have is a C7. Since the important notes of the chord are covered, I would simply play some inversion of a "A triad" to enhance the chord and probably use it to transition to some type of F chord.  The C7 would then become a C13b9



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