Hey, w8 a sec..
I think there actually could be something here:
the 7-3-6-2-5-1 will always be a rotation of 4ths whether U look at it from a major or minor perspective.so there is nothing much 1 can do to change the major feel in the LH.
so the focus would now have to shift from the LH, to the chords played in the RH..If the correct combination of chords is played there, then the progression should work..i think.
The question will then be, can this progression be applied anywhere
This is what the LH would look like:
Say Eb minor:
Eb=1; F=2; Gb=3; Ab=4; Bb=5; Cb=6; Db=7
so the LH would be:
Db/?some Major chord
Gb/?some Major Chord
Cb/?some Major chord
F/? some diminished/ dominant chord
Bb/? minor / altered chord
Eb/?minor/ altered chord
or say E minor (for the white keys lovers):
E=1; F#=2; G=3; A=4; B=5; C=6; D=7
So the LH chords would be:
D/?some Major chord
G/?some Major Chord
C/?some Major chord
F#/? some diminished/ dominant chord
B/? minor / altered chord
E/?minor/ altered chord
Ok, i should go & test this theory