BASIC PROGRESSIONS
A progression is simply a group of 2 or more chords. Each chord u play leads, or progresses, to the next chord. The ultimate goal is to get back to the 1 chord of the key u in. Progressions get their name from the bass / left hand notes u play. This is based off the circle of 4ths, which is the circle of 5ths in reverse. Here are the progressions that are used the most in gospel music. I'll put them in the key of C:
First, the members of C:
C=1 D=2 E=3 F=4 G=5 A=6 B=7
1-5-1
This progression is usually found at the end of a song. As u are playing this, once u play the 5, u should feel a strong urge play the 1.:
C / C-E-G (1) C / C-E-G (1) C / E-G-C (1) C / G-C-E (1)
G / G-B-D (5) G / B-D-G (5) G / D-G-B (5) G / G-B-D (5)
(repeat) (repeat) (repeat) (repeat)
1-V7-1 progression
This is just a little variation of the 1-5-1 progression. By adding in the minor 7th, it creates an even stronger urge to go to 1. Now, u don't add the 7th of the key u in, u add the 7th of the chord. The correct term for the V7 chord is the dominant 7th chord:
C / C-E-G (1) C / C-E-G (1) C / E-G-C (1)
G / G-B-D-F (5) G / B-D-F-G (5) G / D-F-G-B (5)
(repeat) (repeat) (repeat)
C / G-C-E (1) C / G-C-E (1)
G / F-G-B-D (5) G / G-B-D-F (5)
(repeat) (repeat)
1-4-1 progression
This progression is also called the "Amen" progression:
C / C-E-G (1) C / C-E-G (1) C / E-G-C (1) C / G-C-E (1)
F / F-A-C (4) F / C-F-A (4) F / F-A-C (4) F / A-C-F (4)
(repeat) (repeat) (repeat) (repeat)
1-4-5-1 progression
This is the most basic progression that can be used to play a whole song. A lot of the hymns follow this progression:
C / C-E-G (1) C / C-E-G (1) C / E-G-C (1) C / G-C-E (1)
F / F-A-C (4) F / C-F-A (4) F / F-A-C (4) F / A-C-F (4)
G / G-B-D (5) G / B-D-G (5) G / D-G-B (5) G / G-B-D (5)
(repeat) (repeat) (repeat) (repeat)
1-4-V7-1 progression
This is a variation of the 1-4-5-1 progression. Instead of playing a regular 5 chord, you can play a V7 chord:
C / C-E-G (1) C / C-E-G (1) C / E-G-C (1)
F / F-A-C (4) F / C-F-A (4) F / F-A-C (4)
G / G-B-D-F (5) G / B-D-F-G (5) G / D-F-G-B (5)
(repeat) (repeat) (repeat)
C / G-C-E (1) C / G-C-E (1)
F / A-C-F (4) F / A-C-F (4)
G / G-B-D-F (5) G / F-G-B-D (5)
(repeat) (repeat)
Dominant 7th chord to 4
Whenever u have any kind of major chord, you can add the minor 7th of that chord. Once u do that, it becomes a dominant 7th chord. It naturally wants to go to 4 of the chord. Key does not matter here:
C / C-E-G-Bb C / C-E-G-Bb C / E-G-Bb-C
F / F-A-C (4 of C) F / C-F-A (4 of C) F / F-A-C (4 of C)
(repeat) (repeat) (repeat)
C / G-Bb-C-E C / Bb-C-E-G
F / A-C-F (4 of C) F / A-C-F (4 of C)
(repeat) (repeat)
7-3-6 progression
This is a progression that by itself doesn't mean much. But, when u add other progressions to it, it sounds really good:
B / B-D-F (7) B / B-D-F (7) B / B-D-F (7)
E / E-G-B (3) E / G-B-E (3) E / B-E-G (3)
A / A-C-E (6) A / A-C-E (6) A / C-E-A (6)
(repeat) (repeat) (repeat)
B / D-F-B (7) B / F-B-D (7)
E / E-G-B (3) E / G-B-E (3)
A / E-A-C (6) A / A-C-E (6)
(repeat) (repeat)
2-5-1 progression
This progression can be used instead of the 1-4-5-1 progression. Sort of like a substitute progression. I like this one better than 1-4-5-1 cuz it sounds better to me:
D / D-F-A (2) D / A-D-F (2) D / D-F-A (2) D / F-A-D (2)
G / G-B-D (5) G / B-D-G (5) G / D-G-B (5) G / G-B-D (5)
C / C-E-G (1) C / C-E-G (1) C / E-G-C (1) C / G-C-E (1)
(repeat) (repeat) (repeat) (repeat)
3-6-2-5-1 progression
This progression is the musical ZIP CODE. If you want your chords to flow smoothly and naturally from chord to chord, follow this pattern as much as possible:
E / E-G-B (3) E / G-B-E (3) E / B-E-G (3) E / E-G-B (3)
A / A-C-E (6) A / A-C-E (6) A / C-E-A (6) A / E-A-C (6)
D / D-F-A (2) D / A-D-F (2) D / D-F-A (2) D / F-A-D (2)
G / G-B-D (5) G / B-D-G (5) G / D-G-B (5) G / G-B-D (5)
C / C-E-G (1) C / C-E-G (1) C / E-G-C (1) C / G-C-E (1)
(repeat) (repeat) (repeat) (repeat)
7-3-6-2-5-1 progression
As you can see from the name, it just combines all of the progressions above into one big progression:
B / B-D-F (7) B / B-D-F (7) B / B-D-F (7)
E / E-G-B (3) E / G-B-E (3) E / B-E-G (3)
A / A-C-E (6) A / A-C-E (6) A / C-E-A (6)
D / D-F-A (2) D / A-D-F (2) D / D-F-A (2)
G / G-B-D (5) G / B-D-G (5) G / D-G-B (5)
C / C-E-G (1) C / C-E-G (1) C / E-G-C (1)
(repeat) (repeat) (repeat)
B / D-F-B (7) B / F-B-D (7)
E / E-G-B (3) E / G-B-E (3)
A / E-A-C (6) A / A-C-E (6)
D / F-A-D (2) D / A-D-F (2)
G / G-B-D (5) G / B-D-G (5)
C / G-C-E (1) C / C-E-G (1)
(repeat) (repeat)
Get familiar with all these progressions. Listen to how each one sounds. Also, pay attention to the inversions used. I tried to use inversions of each chord that allow u to flow to the next chord w/out moving your hands too much. It is very important to use the nearest inversion of a chord so u don't have to jump around the keyboard, unless u want to. Since these are just basic progressions, i will be back with more familiar variations of these progressions that you hear in almost all gospel music today.