Sorry Carlito (and everyone else) kinda mis-understood what you're speaking about, anyways I don't think I was too far off subject. To me the best way to run it is to run a full session. Running a full session gives you total control over the entire mix, and over assignments. Now Im not a big fan of bouncing tracks, but sometimes you may have to in order to get what you want, or to free up space (the more tracks you have, the more of a chance your session has to freeze). You could bounce them in sub-groups as well. For instance I sometimes make my wife lay down her own background vocals under the live background vocals, so she would do the alto, soprano, and tenor on two tracks a piece, sometimes 3. So I will have 6-9 tracks just for one person doing bgv's. I would mix each part the bounce only the parts together (not all bgv's). No I have a standard alto, soprano, tenor on 3 tracks so the F.O.H or myslef can mix the parts according to the venue and acoustics. I know that was kinda out the picture but I was just trying to show you how to use subgroups, and still have control of the mix. As long as your click isn't bounced with anything, you should have total control really. Its really a lot of work putting together a session, not necessarily hard, but a lot of work.......Calvin, post a pic of your screenshot so we can see what you're working with in your session. That will explain a lot as well.
