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Author Topic: Theory Lesson 101 back with a gem or two.  (Read 1149 times)

Offline diverse379

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Theory Lesson 101 back with a gem or two.
« on: February 23, 2015, 09:10:13 AM »
I havent been on here in a while
I dont really know where the board is in regards to theory and the like

But I would like to share something

I had been in a rut for nearly two years

no real growth nothing really new on the theoretical or new ideas front

just ministering at church.
sunday after sunday.
first i should mention my current church is
lutheran that means no shouts and lots and lots of reading and often anglican type hymns
well
last week I happened to
catch some wisdom that changed my playing overnight

I used to do a lot of 2-5-1 playing
i will be stopping the 2-5-1 playing there is something far more enticing,
but more on that later

as i was saying i did a lot of 2 5 1
and the types of chords used were mainly
those from the
jazz theory books

if you have tried this you will know
that although you can get some nice stuff flowing
it doesent necesarily sound churchy.


of course you can use the sus chords on the V
and minor sus 11
to help soften things up a bit
but I got to the point
where my church services were starting to sound like a jazz club
even though I dont listen to jazz.

so what I discovered were some approaches that
helped my sounds become a lot more lush

the recipe is very very simple.


major and minor sixth chords applied over left hand shells

notice I did not say major 7th chords
or minor seventh chords
which I have used

but instead try minor and major 6th chords
placed over typical bud powell left hand shells.
so if you were doing a 2 5 1 with a turn around in  Eb

the left hand should be tenths or sevenths and occasionally thirds  in other words the first chord left hand voicing  FAb should have the Ab above the f octave.

FAb/EbFAbC                       LH     tenth/major 6th a minor third up
BbAb/EbFAbC **               LH 7th/minor 7th on the V  (also try DFAbC)  which is the minor 6th on the V
EbG/DFGBb                       LH  3rd/major6th on the V
C/C#EAbBb                       LH/minor6th on the b2

the resultant sound
is just spicy enough to  not sound plain and vanilla
and has just enough sonority to make it very very church appropriate.
 Here is an example of
come thou fount using 6th chords only

go to sound cloud and search for churcplayer379
listen to come thou fount

if you like this  sort of stuff let me know

I have a lot more to share. 
To be or not to be that is the question you anwer when you pray practice and read your word

Offline Mysteryman

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Re: Theory Lesson 101 back with a gem or two.
« Reply #1 on: February 23, 2015, 04:51:28 PM »
I have been actually teaching someone on using 6 chords and add 9 chords lately. That I currently my base church home chord structure.
Vision without action is just day dreaming. I miss practicing.

Offline diverse379

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Re: Theory Lesson 101 back with a gem or two.
« Reply #2 on: February 23, 2015, 06:43:16 PM »
Whats going on Brother its been a few years.

Yeah 6th chords are nice
they are very flexible and bring a whole theory for substitutions all on their own.


its as simple as raising a note or dropping a note to find 8 substitutions.
not to mention the related diminished chord

Did you get a chance to check out the recording on sound cloud?
i couldnt include the actual link in the body of my post.
its nothing serious just nice simple arrangement that lends itself to congregational singing
To be or not to be that is the question you anwer when you pray practice and read your word
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