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Author Topic: modulation 2  (Read 608 times)

Offline jjegede04

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modulation 2
« on: July 19, 2008, 02:28:57 PM »
has anyone got a progression that will help you play in a key

(a sort of progresion thac covers all the chords)

Offline musallio

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Re: modulation 2
« Reply #1 on: July 19, 2008, 05:49:11 PM »
Eish, I don't know if i UNDERSTAND YOUR REQUEST CLEARLY.
bUT i WOULD REFER ..(oops, sorry bout the caps!).i would refer you to the chromatic scale.
This would mean that you play a whole lot of diminished chords.

Key of Db

Gb/ Bb,Db,Eb,Gb,Ab
Gb/Bb-Eb-Ab
Gb/Bb,Db,Eb,Ab
F/Bb-Eb-Gb
F/Ab-Db-(Eb)-F
C,Bb/Gb-Ab-Db, Ab (next octave),Ab (next oct.),Ab(Next oct.) [pass]

Eb/Ab-Db-F
Eb/Gb-Bb-Db-F
D/F-A-C-E
Db/E-Ab-B-Eb
C/A-Db-Eb-Ab, Gb (just move finger from Ab to Gb)
[6] Bb/F-Ab-Db-(Eb)
[3]F/Db-Eb-Ab-(Db), (Eb)
[4]Gb/Db-F-Bb
   G/E-G-Bb-Db
Ab/Gb-Bb-C-Eb
A/A-Db-Eb-Ab
Bb/A-C-D-F
B/Bb-Db-Eb-Gb
C/B-D-E-G
Db/C-Eb-F-Bb, C-Eb-F-Ab
D/B-D-F-Ab
Eb/Db-Ab-C-Eb  (can end here if you want )
C/Bb-Eb-Ab, Bb-Eb-Bb
Bb/Ab-Db-Ab
Eb/G-Bb-F
D/Gb-B-E
Db/F-Bb-C-Eb-F

(REPEAT)


Key of Gb

Chromatic progression

Ab/Bb-Eb-Gb
A/A-C-Eb-Gb
Bb/Ab-Db-F-Ab
B/Bb-Db-Eb-Gb-Bb
C/A-C-Eb-Gb
Db/Eb-Gb-Ab-Db
D/B-D-F-Ab
Eb/Db-Gb-Ab-Bb

Bb/Ab-C-Db-F
A/G-B-Db-Gb
Ab/Gb-Bb-B-Eb
G/F-A-B-Db
Gb/F-Ab-Bb-Db-Gb  (hold a while..end or continue)
F/Eb-Ab-Bb-C

Play these fast if U can

E/D-Gb-A
Eb/Db-F-Ab-Db
D/C-E-G-C
Db/B-Eb-Gb-B
C/Bb-D-F-A
B/A-Db-E-Ab
Bb/Ab-C-Eb-G
A/G-B-D-Gb

Medium tempo
Ab/Gb-Bb-B-Eb
G/F-A-C-E
Gb/E-Ab-B-Eb
F/Eb-G-Bb-D
Gb/Bb-Db-F-Ab

(repeat)


Key of Ab

Bb/C-F-Ab
B/B-D-F-Ab
C/Bb-Eb-G-Bb
Db/C-Eb-F-Ab-C
D/B-D-F-Ab
Eb/F-Ab-Bb-Eb
E/Db-E-G-Bb
F/Eb-Ab-Bb-C

Play slow/fast, whichever:

C/Bb-D-Eb-G
B/A-Db-Eb-Ab
Bb/Ab-C-Db-F
A/G-B-Db-Eb
Ab/G-Bb-C-Eb-Ab (hold a while & end/ continue)
G/F-Bb-C-D

Play these fast:

Gb/E-Ab-B
F/Eb-G-Bb-Eb
E/D-Gb-A-D
Eb/Db-F-Ab-Db
D/C-E-G-B
Db/B-Eb-Gb-Bb
C/Bb-D-F-A

Play slow or fast:

B/A-Db-E-Ab
Bb/Ab-C-Db-F
A/G-B-D-Gb
Ab/Gb-Bb-Db-F
G/F-A-C-E
Ab/C-Eb-G-Bb

(repeat)


##  system

2/ 3-6-1
b3/ b3-b5-6-1
3/2-5-7-2
4/3-5-6-1-3
b5/b3-b5-6-1
5/6-1-2-5
b6/4-b6-7-2
6/5-1-2-3

3/2-b5-5-7
b3/b2-4-5-1
2/1-3-4-6
b2/7-b3-4-5
1/7-2-3-5-1  (hold...)

7/6-2-3-b5
b7/b6-1-b3
6/5-7-2-5
b6/b5-b7-b2-b5
5/4-6-1-4
b5/3-b6-7-b3
4/b3-5-b7-2
3/2-b5-6-b2 
b3/b2-4-b6-1

2/1-3-4-6
b2/7-b3-b5-b7
1/b7-2-4-6
7/6-b2-3-b6
1/3-5-7-2

(repeat)


before I'm crucified:
I know the numbering is not technically correct, but that wasn't my aim, all I was doing was 2 communicate an idea in a manner I think most ppl are comfortable with & won't steal my time..
peace



After revision of the progression, I wouldnt suggest playing any parts fast..
the whole progression is nice for me played slowly...let the ear be the judge @ the end of day.

Alternatively you could play major chords using the whole tone scale, in any inversion.
For instance, say you've just ended any song in the key of C.
Say you ended at this chord:

C/E-G-C

this allows you 2 options (in fact, more, but let's stick to the 2).
[btw, what I'm explaining can be used to enhance your endings 8) ;) 8)]
so from that 1 chord, you can start the whole tone scale major chords either from the #1 (Db chord) or the #5 (Ab chord)
SO say we start from the #1:

C/E-G-C  end of any song..then:
C#/F-G#-C# or C#-F-G# on RH
D#/G-A#-D#  or D#-G-A#
F/ A-C-F  or F-A-C

(repeat this from the C# chord...there are plenty of options from here:)

you could just go to Gb, so:

Gb/Bb-Db-Gb
Ab/C-Eb-Ab
Bb/D-F-Bb
(repeat this back & forth a couple of times..then...)

C/B-E-G
D/C#-F#-A
E/D#-G#-B

(repeat then..)

F/F-A-C
G/G-B-D
A/A-C#-E, C#-G#-C#

(end or repeat from start)
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Offline musallio

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Re: modulation 2
« Reply #2 on: July 19, 2008, 05:58:41 PM »
Oops, I forgot to add the example where you jump straight to the #5:

from C/E-G-C

the #5 in the key of C is Ab

so :

C/E-G-C
Ab/Eb-(G)-Ab-C
Bb/F-(A)-Bb-D
C/G-C-E

(repeat)

please note that if you start from the #5, you end on a different inversion of the 1 chord in the original key (in this case, the key of CM)..

When you start from the #1 (see previous post, you end up on the 4 chord, which effectively becomes your new key if you want (in this case being the F.)

You can do this anytime you want when ending a song. But I think it is best used when there is a medley of songs being sung...

the #1 method is also great to use when you have an experienced team or you've practiced it with your P&W & you want to modulate to the 4th key.

Alternatively, you can use the #1 method & still stay in the same key..It just creates that excitement.

I hope that answers your Q.
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Offline T-Block

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Re: modulation 2
« Reply #3 on: July 19, 2008, 06:42:19 PM »
I don't think there is a progression that contains all chords, but I've got one that contains almost every bass note u can play in a particular key.  Check this link out man:  http://www.learngospelmusic.com/forums/index.php/topic,36503.0.html
Real musicians play in every key!!!
Music Theory, da numbers work!

Offline jjegede04

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Re: modulation 2
« Reply #4 on: July 21, 2008, 04:22:27 PM »
thanks the both of you

i look foward to it
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