Click here for a graphical representation of my drum set and more importantly, my cymbal configuration:
http://www.pbase.com/image/83586691Here is a listing of my gear:
Pearl Masters MMX (#151 - Platinum Mist) - 10"x8", 12"x9" and 14"x11" with an 18"x22" bass drum.
Sabian 7" Mike Portnoy Max Splash #
Sabian 10" Hand Hammered Splash
Sabian 10" HHX Evolution Splash #
Zildjian 12" A Custom Mastersound Hi-Hats**
Sabian 13" HHX Groove Hats #
Meinl 13" Byzance Fast Hats*
Sabian 14" HHX Evolution Mini China #
Sabian 16" Hand Hammered Dark Crash #
Sabian 17" AAXPlosion Crash
Sabian 18" Hand Hammered Dark Crash #
Sabian 18" HHX Ozone Crash #
Sabian 18" Vault Crash
Sabian 21" Hand Hammered Raw Bell Dry Ride #
Snare drums:
Pearl Virgil Donati 5"x14" Signature Snare drum (8 plies in total; 4 plies of Birch for the inner section and 4 plies of Maple for the outer section)
Tama Starclassic G Maple 6"x14" Snare Drum (13 plies of Canadian Maple - whatever that means, eh)*
Yamaha Akira Jimbo Signature Snare Drum 7"x13" (8 plies of Beech)
Legend
*Coming (real) soon
** R.I.P.
# Cymbals featured in the drum set graphic.
* Snare featured in the drum set graphic.
I have the 18" Hand Hammered Dark Crash as my main power crash, followed with the 16" Hand Hammered Dark Crash as the quicker, punchier accent. In between the hi-hats is the 7" Mike Portnoy Max Splash, which provides a really glassy splash in the right sections of the music. This is placed here for really easy access. I chose the 13" HHX Groove Hats to be really versatile, with a really 'mature' tone. Towards the mid section of the set-up, I have the 10" HHX Evolution as a trashy china accent. Sometimes, I strike the 7" and 10" to get a really unique tone - it's kinda weird, but it's cool at the same time. On my right, I have the 21" Hand Hammered Raw Bell Dry Ride, which holds it's own. The bell is penetrating, but not piercing, which is good for having a musical ride. Going further to the right is the 14" HHX Evolution Mini China - that cymbal's looks are really deceiving! This is a really quick, smooth and slightly trash china. This is a great cymbal for me when I want to have a staccato accent (the splashes are for my extreme staccato accents) . It can be ridden to some degree (like Bernard Purdie), but the tone is not what my ears would like to hear for that type of effect. Maybe a larger one would do it. Last is the 18" HHX Evolution O Zone. This can easily take the place of the china, because it's not brash as a china. This is what I use to set up various phrases - basically a really breathy crash/trash sound. It's really cool, as I'm sure that you all know.
Well, this is the end of my tour. Go any set up your kit and give us a tour and tell us why you use the cymbals that you've selected. Peace.