Tomorrow
By The Winans
Chorded by csedwards2
Lots of arpeggiated/broken chords in this one. Dashes signify arpeggiated chords that you hold as you play. Each note in the chord, you arpeggiate up but don?t let go of the notes if it has a dash/hyphen (ie. B-E-F#-B). If it is separated by comma, then they are just separate notes but hold the last note (ie E, F#, G#/B-E-F#-B). You would hold the G# in that example. Alot of the comma notes in the RH are the melody. Do a lot of listening to the CD to get this. If you throw in more broken /arpegiatted chords it wont hurt the song at all.
All arpeggiated chords are going up except for the fourth chord in the intro
(B/ A-E-C#-A, E-C#-A) which goes down. Last item is the chorus. The chorus melody is to be played in 10ths on the first ending, and in octaves on the second ending. However, you hold the two notes in bold until you get to the 5 chord. (The B chord in Emajor and the D chord in Gmajor). God Bless and Enjoy.
E/ B-E-F#-B
E, F#, G#/ B-E-F#-B
F#, G#, A/ B-E-F#-B, (A)
B/ A-E-C#-A, E-C#-A
C#/ B-E-F#-G#
G#/ BD#F#, F#BD#, D#F#B
F#C#/ EAC#
G#D#/ F#BE
AE/ F#ABE
BF#B/ F#AC#E
Jesus
EE/ BEF#B - says, here I
EE/ AC#EA - stand. Wont you
EE/ CEF#B,A - please, let me
EBE/ G#BEG# - in. And you
AE/ BC#EA - said, I
BF#/ BC#D#F# - will
AE / C#D#F# -
G#E/ BEG# - tomorrow.
/C#EA
(quick)
F#C#/ BD#F#
EB/ BEG#
B/F#AC#E
Jesus
EE/ BEF#B - says, I am
EE/ AC#EA - He. Who su-
EE/ CEF# A - plies, all your
EBE/ G#BEG# - needs. And you
AE/ BC#EA - said, I
BF#/ BC#D#F# - know
AE / C#D#F# - but
G#E/ BEG# - tomorrow.
(quick)
F#C#/ BD#F#
EB/ G#BE
B/F#AC#E
To
EBE/ BEF#G# - morrow I-ll
E/ BG# - give
D#E/ BF# - my
C#E/ BE, D#, C# - life to-
BF#/ BC#D#F# - morrow. I
AE/ BC#D#F#, E, D# - thought about to-
G#D#/ F#B - day,
C#/G#BC#E - but, Its so much
F#C#/ AC#E - easi-
A#F#/ A#C#EG# - er to
BF#/ AC#E - say.
AE/ BC#D#F#
To
G#E/ BEF#G# - morrow, who prom-
F#E/ BF# - ised
EE/BE - you
D#E/ BD#
C#E/ BC# - to
BF#/ BC#D#F# - morrow. Better
AE/ BC#D#F# - choose the Lord to-
G#D#F#/DF#B -day
C#G#B/ DGB - for
F#C#E/ AC#EG#, A, F#, G# -tomorrow, very
BF#/ AC#EA, G#, F# - well might be to
E/ B-E-F#-G# - late.
G#/ BEF#G#B
A/ B-E-F#-G#
BF#/ AC#EA
(repeat verse chorus)
(2nd chorus)
E,B,E/ABE, G#BE - late
(now in GMajor)
And who
C, G, C/ GCDE - said, to-
D,A,D/ ADF# - morrow would ever
GD/ GABD - come for
E,B,D/ GBD, E, F# - you.. Still you
AE/ ACEG - laugh and play
DAD/ ACEG - and continue on to
(hold)F#/ D#GB -say.
/FAC#
/GBD#
/AC#F
/BD#G
/C#FA
/D#GB
(augmented triads if you wanted to know)
To-
G/DGAB -morrow, forget
F#G/DA - a
EG/DG, F, E - bout to-
DA/ DEF#A -morrow. Wont you
CG/DEF#A, - give your life to-
BG/ BD - day, Oh
EBE/GBDG -please. Don't just
AEG/ ACEG - turn and
C#A/ BC#EG - walk a-
DA/ CEG -way.
CG/ DF#A -To-
BG/ DGAB - morrow. Tomor-
AG/DA - row
GG/DG -is
F#G/ DF#
EG/ DE - not
DA/ DEF#A - promised. Don't let this
CG/ DEF#A -moment slip a-
BF#A/ FAD -way.
EBD/ FA#D, EG#C
/A,B - your
AEG/ CEGC -tomorrow could very
DA/ CEGC, B, CD#F#A - well begin
/B -to-
EBE/ BEF#G#B -day.
