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Author Topic: Tritones and Superimposed  (Read 2793 times)

Offline B3Organist_007

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Tritones and Superimposed
« on: August 09, 2003, 04:42:43 PM »
Could someone post a chord progression (any kind) that utilizes Tritones or Superimposed chords.  Thank you and GOD BLESS!!!!!

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Re: Tritones and Superimposed
« Reply #1 on: August 10, 2003, 12:53:34 AM »
Quote from: B3Organist_007
Could someone post a chord progression (any kind) that utilizes Tritones or Superimposed chords.  Thank you and GOD BLESS!!!!!


Sure, tri - tones you use all the time: EBb / CEGBb, OR EBb / DGC, SUPERIMPOSED CHORDS / POLY CHORDS IS ONE CHORD ON TOP OF ANOTHER A WHOLE STEP AWAY...WITH THE ROOT CHORD IN THE LEFT HAND: EBb / D, IT'S GOOD FOR THE m2 AND THE m6th, AND A JAZZY ENDING. { ** = SUPERIMPOSED, * = TRI - TONE }

DC / Dm
ED / C
GbC / E**
GD / F
EbBb / Gm7
GD / F
EBb / DGC*

Offline B3Organist_007

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Thanks Alot Hammondman
« Reply #2 on: August 10, 2003, 08:47:36 AM »
Thanks Alot Hammondman!!!!!

Offline Dooley

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Tritones and Superimposed
« Reply #3 on: August 12, 2003, 04:12:42 PM »
Ok...its taking me a long time to understand what the definition for a superimposed chord is.  I know i may do it...But I dont know the real way to say "oh, its just a superimposed Bb chord".  So say I have a Db chord in my right hand.  What goes in the left??~!?
**From the desk of "Professor Terrence J. Dooley"

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Hello Dooley
« Reply #4 on: August 12, 2003, 06:22:09 PM »
Quote from: Dooley
Ok...its taking me a long time to understand what the definition for a superimposed chord is.


A Superimposed chord is a chord structure that layers a chord on top of another....C7 / D7...instead of using the whole chord, you'll use part of the root chord in the left hand: EBb which is the tri-tone of C, the bass pedals will play the C and you'll play the 9th or m2nd scale degree of that root, and it'll be a major chord: C / EBb / DGbA, it's also a poly chord, and an open voicing, different names..same chord 8)

Offline Dooley

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Tritones and Superimposed
« Reply #5 on: August 14, 2003, 04:23:21 PM »
Ok.  i think I got it....I do that sometimes, but I never knew what the definition was for it...thanks!!!
**From the desk of "Professor Terrence J. Dooley"

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Tritones and Superimposed
« Reply #6 on: January 25, 2004, 09:04:08 PM »
You guys are a joke (SisterT, 4hisglory, Long Fingers, Dooley…).  You guys are too little to be apart of my big world.  Now, I see that being on this board is really just a waste of my time.  And since some of you find it hilarious to delete posts, I took the liberty of deleting my own posts.  For all others that wish to contact me regarding chords, runs, theory and songs, my email address is mjfeltnerjr@yahoo.com.

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Tritones and Superimposed
« Reply #7 on: January 26, 2004, 01:26:40 PM »
Correct me if I'm wrong,  but I tend to use what you guys call poly chords
to do 11ths and 13th  chords.

or example  
CEG/BbDF  ==  C11  == I / b7th

CEBb/DFA ==  C13  == I7/ IImin

Now I still havent really gotten the concept the tritone.  I mean I have played it ( I've seen it written  on sheet) but I'm not used to its sound so
I'm having trouble trying to figure where it would go for a desired effect.

for example,  where  in a 6 2 5 1 progression, could I place a tritone?

thanks

Jaylewis

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Tritones and Superimposed
« Reply #8 on: January 26, 2004, 01:30:26 PM »
The tritone is meant to act as a dominant seventh chord.
For example

C/EBb/DF#A

This is a C13#11.

The pedal would be the root.  The left hand chord is a tritone which is the 3rd and 7th of the chord with no 5th.

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Tritones and Superimposed
« Reply #9 on: January 26, 2004, 03:07:43 PM »
Quote
I'm having trouble trying to figure where it would go for a desired effect. for example, where in a 6 2 5 1 progression, could I place a tritone? thanks

Jaylewis


Try these out: in C

1 = C / CEBb / DGC
6 = A / DbG / B
2 = D / DC / FGCEG
5 = G / GF / E
1 = C / CEBb / DGC
~~~~~~~~~~
1 = C / CEBb / DGC
#6 = Bb / DAb / C
2 = D / GbC / E
5 = G / GD / F6
1 = C / CG / EM7(b5)
~~~~~~~~~~~~
1 = C / CG / Bb
b6 = Bb / BbDAb / C
#2 =Eb /  EbAb / F
5 = G / GF / BM7(b5)
1 = C / CG / EbM7(b5)
~~~~~~~~~~~~~~~~~~~~~~~~~~
THESE ARE VARIATIONS OF WHAT YOU CAN DO WITH THEM, DEPENDING IF YOU PLAY A MINOR OR MAJOR SONG...HOPE YOU LIKE THEM, JAY.

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Tritones and Superimposed
« Reply #10 on: January 29, 2004, 04:39:53 PM »
Hammondman, thanks.

I been so busy trying them, I forgot to reply back.  The sound takes  a little getting used too. but I think I got the hang of where I can fit them  in a progression when I need that type of "feeling"

Thanks again!!

Jaylewis

Offline musallio

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Re: Tritones and Superimposed
« Reply #11 on: May 23, 2008, 07:12:03 PM »
Quote from:  link=topic=447.msg6548#msg6548 date=1075415993
Hammondman, thanks.

I been so busy trying them, I forgot to reply back.  The sound takes  a little getting used too. but I think I got the hang of where I can fit them  in a progression when I need that type of "feeling"

Thanks again!!

Jaylewis

The sound sure does take some getting used to...
Maybe after some time I will get used to them..
(U've come very far J 8))
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Offline CJKeyboardPlaya

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Re: Tritones and Superimposed
« Reply #12 on: May 23, 2008, 07:17:10 PM »
Wow... u doing some serious diggin huh mus.?? ;D

Offline musallio

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Re: Tritones and Superimposed
« Reply #13 on: May 23, 2008, 08:06:11 PM »
Wow... u doing some serious diggin huh mus.?? ;D


yeah man, I thot if guys like T are saying they also learnt their stuff here, then surely there's some untapped treasure waiting for us  to tap into it;D
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