SpiritFingaz - Can you give us a short example?
An example of this would be something like….take a 7-5-6 change that's common. I'm not good at typing this stuff out so bear with me I hope I can make it make since. Something simple would be like:
Key of Eb
LH/RH
D-F (the 10th not the third)/A-C-E-G
G-FAb/BEbFBb
C-Eb (10th)/BbDF
This is the normal movement in gospel well, to make it more colorful or weird however you look at it you can…..obviously walk up from the D to the G and the G to the C using any type of chords. For example, and I'm not at work so I'm not exactly sure how this will sound but go:
D-F/ACEG
E-G/BDF#A
F#-A/C#EG#B
G-FAb/BEbFBb
Ab-Gb/AbBbBEb
Bb-Ab/BbCDbF
C-Bb/DEbG
*This is just a theoretical example, I didn't exactly follow the whole-tone scale here, but mimicked parts of it with the DEF# and the AbBbC movements. You can do all types of variations of this where you open the chords up more (I just like block chords), change the chords to fit your melody.You can vary it based on a different type of scale and make substitutions with your bass notes, people do it with the dimished all the time. Also, for organists just take that bottom note for your foot pedal and play the major chord for the other note in the left hand (only for the passing chords not the main chords of the progression) and keep right hand the same. As always with music the possibilities are endless. I hope this makes sense.