What did he just say??
What did he just say??
Sorry I was in a rush Ok here is a break down of what I mean
if you take a chord
lets take a c chord lets make it dominant so we can really have no limitations
we are doing a two chord progression
to F7
the notes in this chord are C E G Bb y
any one of these notes can serve as the bass note for the chord
now you can also use any of the extentions
such as the ninth and the 13th
so you now have As bass note possiblilites C D E G A Bb
you can also use the tritone substitution which is F# and use that as a bass note
I said you can use any chord tone in the substitute chord
the notes of the F#7 is F# A# (Bb) C# and E
the only one of these notes we havent used yet is the C#
this is a funky sound and not in a good way because the C3 is a half step above the real root of the chord it is very dissonant however you can invert the chord to E G Bb
and play the C# without really playing the C natural
or better yet play the C move to the c# then play the F7
what is the related diminished chord
this is the diminished chord built on the D or the 2nd scale degree
those notes are D F Ab B
try this out
C/DFABB
D/CEGBb
E/BDFAb
F/ACEbF
my goodness are their any notes left out
nope we just covered every note of the scale
so you see any note can substitute for the bass note of any chord
now that you have that information
take a song you know well
and try this out with a two chord progression
that you always do
and see if you can use one of these bass note substitutions
the idea is to keep the bass line smooth or melodic
it doesent make sense to substitute a bass note if the sound isnt going to improve because of the substitution