Okie Dokie,
Lets talk about the 1,4&5 and I would write it out in Roman Numerals 8O but for the sake of helping everyone at the same time I won't.:wink:
Lets take the " Key/Scale of C " because it is all the white keys and easier for the beginners to grasp.
In the Key of C we have this number scale....
C=1 D=2 E=3 F=4 G=5 A=6 B=7
and well also have this
1=Major 2=Minor 3=Minor 4=Major 5=Major 6=minor 7=dim
Now we must understand what Major, minor and diminished Triads are...For this example I will use the C itself....
Major Triad= 1, 3, 5 in the Key of C that would be CEG
minor Triad=1, b3, 5 in the Key of C that would be CEbG
dim Triad=1, B3,b5 in the key of C that would be CEbGb
Now the key to using the 1,4&5 to your advantage is this right here.....
What is our 1,4&5 in the C scale? C=1 F=4 G=5
By looking at these note and scale broken down above we know this...
C=Major
F=Major
G=Major
Now what are the Triads for these three notes?
C= CEG, GCE, EGC
F= FAC, CFA, ACF
G= GBD, DGB, BDG
Wow 8O That looks like alot already huh? Yea it does but remember its just 1,4&5 :lol:
Now here is a super duper and I do mean duper eye open 8O
There is a Law called "Stacking Chords" and this law tells me that if I want to build and Major Chord all I have to do is find the Major 3rd of the Scale that I am in and stack a minor chord on top of it. Yup its that easy...
Example; if I want a CMajor7th all I have to do is find the Major 3rd which is an E in this case and play an Eminor Triad which is this...
Eminor = EGB
So we stack the EGB on top of the C and we have this
CEGB which is our CMajor7th and if we simply take away the B we are left with the original Triad of CEG
Now lets do the same for a Cminor7;
Example; if I want a Cminor7 all I have to do is find the Minor 3rd which is an Eb in this case and play an Eb Major Triad which is this...
EbMajor= EbGBb
So we stack the EGB on top of the C and we have this
CEbGBb which is our CMinor7 and if we simply take away the Bb we are left with the original Triad of CEbG.........
O.k. ,O.k. the 1,4&5
if I play the 1 being the CEG over the CEG and have a CMajor Triad but if I take that same CEG and stack it over the A in the Scale of C I have just created this
A/CEG and all I did was stack the C Triad over the A ...
So now I have 2 different chords I can use for the C chord by itself or to play an Aminor chord....
Next we take our 4 which is F......... and play it as an F or apply the same concept and stack it on top of our D to obtain a Dminor Chord
Now we take our 5 which is G........ and play it as an E or apply the same concept and stack it on top of our E to obtain a Eminor Chord
That covers our C,D,E,F,G,A and we are left with the B which is a diminished and we shall obtain by this
" stacking a diminished triad over the minor 3rd "
this B can get super complicated and is a whole lesson in itself so for now I would just recommend playing a Dminor or a GMajor Triad over the B
I need to take a break and I will be back with more.........
God Bless You,
jayzee
www.gospelmusictrain.com :wink: